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Artificial intelligence is the theme of this new version, given its world premiere in Edinburgh
The choreographer, 79, made a playful appearance at this summer festival
Giselle required an understudy to step up, while A Midsummer Night’s Dream lacked purpose
Manuel Liñán’s troupe appropriated female costumery while María del Mar Moreno’s stripped-down staging put the focus firmly on sublime dance and song
Performed by Scottish Ballet at Sadler’s Wells, Helen Pickett’s work brings Arthur Miller’s play to the dance stage
The choreographer’s latest work, performed at the Théâtre de la Ville in Paris, mimics the ebb and flow of conversation
The choreographer’s new adaptation of Laura Esquivel’s novel features gorgeous stage images
The British choreographer is reviving ‘The Car Man’ for the Royal Albert Hall’s 150th anniversary, and it’s bigger than ever
The choreographer’s AIM company gave the stylistically varied work its UK premiere at Sadler’s Wells
The Russian star’s extraordinary gifts are squandered in Didy Veldman’s staging at Queen Elizabeth Hall
A mixed bill at Théâtre de la Ville illustrated the company’s journey into contemporary dance
The duo perform a double bill, plus twinned pieces from House of Absolute and Matsena Productions
Vadim Muntagirov and Marianela Núñez reassert the choreographer’s genius in a sparkling programme
Scottish Ballet’s ‘Scandal at Mayerling’ is a slimmed-down but no less exciting version of Kenneth MacMillan’s original
As well as the choreographer’s Angels’ Atlas, the programme included Marco Goecke’s Almost Blue
His adaptation struggles with drab costumes and a flat narrative. Plus: an immersive VR show at the Barbican
A programme of the choreographer’s recent work left the audience tipsy with delight at Sadler’s Wells
The two ensembles perform double bills of new material on their UK tours
Programme at London’s Royal Opera House included a world premiere by Kyle Abraham
The London festival aims to recover late-20th-century pieces, such as Trisha Brown’s ‘Set and Reset’
Loïe Fuller’s shows wowed 1890s-1900s audiences — and have inspired a new series at London’s Royal Opera House
Fumi Kaneko danced her first Odette/Odile alongside Federico Bonelli, who is leaving the company after 19 years
His prose could be scorching, but his love of dance was limitless and his knowledge astounding
Mathias Dingman, Marianela Núñez and Vadim Muntagirov are among the star dancers in this sunny and attractive production at the Hippodrome
The troupe’s training is showcased at Sadler’s Wells despite a frustratingly uneven programme
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